GUIDE / 32 · PRINTING + PRODUCTION

How to Prepare Artwork for T-Shirt Printing

SEO TITLE: How to Prepare Artwork for T-Shirt Printing | MERCHMODE SUGGESTED URL: /learn/how-to-prepare-artwork-for-t-shirt-printing/ CATEGORY: PRINTING +…

TOPIC
Production
INTENT
Artwork preparation
UPDATED
25 AUGUST 2026

SEO TITLE: How to Prepare Artwork for T-Shirt Printing | MERCHMODE SUGGESTED URL: /learn/how-to-prepare-artwork-for-t-shirt-printing/ CATEGORY: PRINTING + PRODUCTION

Production-ready artwork reduces delays, interpretation and avoidable print problems.

01 / START WITH THE ORIGINAL FILE

Where possible, send the original design file rather than a screenshot or compressed social-media image.

02 / VECTOR VS RASTER

Vector files are ideal for logos, typography and flat graphics because they can scale cleanly. Common vector formats include AI, EPS, SVG and print-ready PDF. Raster artwork can also work, but it needs sufficient resolution at the intended print size.

03 / DESIGN AT THE REAL PRINT SIZE

A file that looks sharp at 5 cm wide may not remain sharp at 35 cm. Decide the intended physical print dimensions before final export.

04 / RESOLUTION

For raster artwork, provide high-resolution source files. Do not artificially enlarge a small JPEG and assume the missing detail has been restored.

05 / TRANSPARENT BACKGROUNDS

If the design should not include a box or background, provide artwork with the background removed correctly. Check edges carefully, particularly around anti-aliased artwork and photographic cut-outs.

06 / FONTS

Convert important typography to outlines where appropriate, or provide the required font files through an agreed production workflow. Missing fonts can change the design.

07 / COLOUR

Tell production whether colours are approximate or critical. If a specific brand or Pantone-style spot colour is required, state that in the brief rather than relying solely on how it appears on screen.

08 / SCREEN PRINT COLOUR SEPARATION

Multi-colour screen print requires separations. Do not assume every supplied PDF is automatically separated correctly. A printer may prepare separations from good source artwork, but clean layers and clear colour intent help.

09 / FINE DETAIL

Extremely fine lines, tiny text and small negative spaces can become difficult depending on print method, garment texture and final size. Evaluate artwork at physical scale.

10 / PRINT LOCATIONS

Provide each location separately and clearly: front, back, left chest, sleeve, leg or other placement. Include dimensions rather than instructions such as 'make it large'.

11 / MOCKUPS ARE NOT SOURCE ARTWORK

A Photoshop mockup can communicate placement and scale, but production still needs the actual artwork files.

12 / FILE CHECKLIST

Before sending artwork, confirm: - final artwork version - intended dimensions - garment colour - print locations - colour requirements - source/vector files where available - transparent background where required - reference mockup

MERCHMODE VIEW

If you are unsure whether the file is production-ready, send the best source file you have plus the visual reference. The production route can be defined from there.

RELATED Print Placement & Sizing Guide Pantone Colour Matching for Merchandise What Is Screen Printing? Screen Printing vs DTG vs DTF

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